The day is finally here! “Vivo” has officially been released on Netflix! I’m so incredibly proud of this film, and am so excited it's out there in the world to enjoy. It was an absolute blast and honor getting to work on this movie alongside such a talented group of artists and creatives (including my sister Karina McBeth who was a Storyboard Artist!). This was my first feature working as a 1st Assistant Editor and I thank my Editorial team for encouraging me through it all. It had a HUGE learning curve, and I'm so grateful for the patience they showed me each step of the way, allowing me to stumble and learn from my mistakes. I can’t express how excited I am to call this my first animated film that I have seen from beginning to end (previously had only gone up to the Layout stage). I hope you have fun getting to dive into the beautiful sights and sounds of "Vivo" soon enough. Congrats to Kirk and Brandon for directing such a enchanting film, and cheers to the crew!
The Trek
(Left to Right: Matthew Rebong, Jackson Miller, Richard Andrews, Amy McBeth)
Photo Cred: Jackson Miller
On Saturday, August 22nd, Prism premiered at the HollyShorts Film Festival in Hollywood. It was the first film festival I've ever gone to, and was quite exciting! Especially since I was going to support a film that I had been a part of. Alongside Prism, my team and I got to view a handful of other great shorts before we briefly talked about our film in front of the audience. We received a lot of compliments from viewers following the screening, with many intrigued that the short was entirely made by students.
Recently, I also found out that Doppelgänger is going to Germany to be part of the Braunschweig International Film Festival. I will be unable to attend, but my director will be going, and I look forward to hearing how it goes!
Grand Finale
Link: Prism Facebook Page
Prism (2015) Copyright by Jackson Miller, David Reynolds, & Chris Purse
This past Thursday, May 14th, the third and final thesis film I edited this year premiered. It was the first VFX film I have ever cut, and I am pleased with how it eventually turned out. Our visual effects team did a great job at creating a believable world within the time they were given, and our audience seemed to appreciate their efforts. It was the film I spent the most time with this year, and served as the biggest learning curve in terms of communication and designing a workflow that accommodated both Editorial as well as the visual effects artists.
As this film enters the festival circuit, I am interested to see how it fares. I hope to stay in contact with the team I worked with, especially the director, as I feel given a story that we have more time to develop, we can create something even stronger. Working on this film was an experience I will truly never forget, and I am glad to have been given the opportunity to be a part of it.
Premiering
This past Friday, April 17th, the first film out of three that I had the pleasure of editing this year premiered. Doppelgänger was a success and played well for our audience. I received some compliments from viewers commenting on how eerie the film was. I was worried as to how the short would be received as I had been with it for so long and wasn't sure if the scares in the film were landing. Sure enough though, there was an audible gasp throughout the theater during the reveal of our title character.
With the film completed, I am able to take a step back and reflect on the timeline of creating this short. Our director did an excellent job communicating with each department, inviting their perspectives and collaborating in a way that allowed for creative freedom on both ends. Seeing the final piece colored, with a sound mix, and score in a full theater was surreal, and I'm so very proud of our cast, crew, and director for bringing this psychological thriller to life.
Link: Doppelgänger Facebook Page
Doppelgänger (2015) film Copyright by Carly Lambert